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September 16, 2009 1:56:21 AM UTC
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Post #1
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Posts: 28
Member #: 15,509
Joined: 09/16/2009
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so i finally got unlazy and got it all done CODETRIVIUM - DYING IN YOUR ARMS
Key: ~ - Vibrato h - hammer-on p - pull-off / or - slide
Intro/chorus gtr 1 /E---------------------15------|----------------------------------| |B--13------12--13----------13-|---12-----12--13--12--------------| |G-----------------------------|-------14---------------14--12----| |D-----------------------------|----------------------------------| |A-----------------------------|----------------------------------| |D-----------------------------|----------------------------------| | |gtr2 |E------------------------------|---------------------------------| |B------------------------------|---------------------------------| |G------------------------------|---------------------------------| |D--7--7--7--7--7--7--7--7------|--2--2--2--2--2--2--2--2---------| |A--7--7--7--7--7--7--7--7------|--2--2--2--2--2--2--2--2---------| D--7--7--7--7--7--7--7--7------|--2--2--2--2--2--2--2--2---------|
Gtr1 /E--------------------------------|---------------------------------| |B--13-----12--13---------12--13--|--12-------12--13--12------------| |G--------------------------------|-------14---------------14--12---| |D--------------------------------|---------------------------------| |A--------------------------------|---------------------------------| |D--------------------------------|---------------------------------| | | gtr2 |E--------------------------------|----------------------------------| |B--------------------------------|----------------------------------| |G--------------------------------|----------------------------------| |D--3--3--3--3--3--3--3--3--------|--5--5--5--5--5--5--5--5----------| |A--3--3--3--3--3--3--3--3--------|--5--5--5--5--5--5--5--5----------| |D--3--3--3--3--3--3--3--3--------|--5--5--5--5--5--5--5--5----------| The single note lead part featured here is reletavly simple to play, so focus your attention on timing instead. Try to fret the notes as cleanly as possible and add vibrato when necessary. You should remember to keep all the idle strings quiet, using left and right hand muting. Verses PM------------------------------------------------------------------------------| E------------|-------|----------|----------|----------|-------|---------|---------| B------------|-------|----------|----------|----------|-------|---------|---------| G------------|-------|----------|----------|----------|-------|---------|---------| D------------|-------|----------|----------|----------|-------|---------|---------| A--7--7------|-------|--0--0----|----------|--3--3----|-------|--5--5---|--2--2---| D--7--7------|-------|--0--0----|----------|--3--3----|-------|--5--5---|--2--2---| This section is sparse so, once again, the bonus is on timing. Keep your foot tapping the down beat (beats 1, 2, 3 and 4) and keep count in your head.You may also benefit from keeping your picking hand moving in time with the beat, even during pauses. This will give you much more of a sense of when to play.Also, make sure the rests are dead silent. Any accidental string noise can ruin the moment.
Pre-chorus E-------------------------------|--------------------------------| B-------------------------------|--------------------------------| G------9--9--9--7--7--7--12--12-|--9--9--9--7--7--7--12--12------| D-------------------------------|--------------------------------|X2 A------7--7--7--5--5--5--10--10-|--7--7--7--5--5--5--10--10------| D-------------------------------|--------------------------------|
E---------------------------------|----------------------------------| B---------------------------------|----------------------------------| G------10--10--10--9--9--9--5--5--|--10--10--10--9--9--9--5--5-------| D---------------------------------|----------------------------------| A-------8---8---8---7--7--7--3--3-|--8---8---8----7---7--7--3--3-----| D---------------------------------|----------------------------------|
E-------------------------------|-----------------------------------| B-------------------------------|-----------------------------------| G--9--9--9--7--7--7--5--5-------|--4--4--4--4--5/4--5/7-------------| D-------------------------------|-----------------------------------| A--7--7--7--5--5--5--3--3-------|--2--2--2--2--5/2--3/5-------------| D-------------------------------|-----------------------------------| Trivium use the octave shape alot, as it's the good way to add size to a guitar melody. Because the feel of the section is quite loose, the strumming hand should move in an alternate down-up fashion. With careful muting using the underside of the fingers on the fretting hand, idle string noise should be eliminated. This will enable you to strum all six strings with only the third and fifth strings sounding.
Bridge E------------------------------|-----|----------------------------|----| B------------------------------|-----|----------------------------|----| G------------------------------|-----|----------------------------|----| D--7------X---2------X---3-----|-----|--7-----X---3------X---5----|----| A--7------X---2------X---3-----|-----|--7-----X---3------X---5----|----| D--7------X---2------X---3-----|-----|--7-----X---3------X---5----|----|
E------------------------------| B------------------------------| G------------------------------| D------------------------------| A----3--2h3p2-----2------------| D--------------5------5--3-----|
E---------------------------|-----|----------------------------|----| B---------------------------|-----|----------------------------|----| G---------------------------|-----|----------------------------|----| D--7------X---2------X---3--|-----|--7-----X---3------X---5----|----| A--7------X---2------X---3--|-----|--7-----X---3------X---5----|----| D--7------X---2------X---3--|-----|--7-----X---3------X--5-----|----|
E------------------------------| B------------------------------| G------------------------------| D------------------------------| A----7--5h7p5-----5------------| D--------------9------9--7-----| Time for some more one-fingered powerchord playing! That's the beauty of Drop D tuning. The metallica style ending is first played in unison, then the second time you move up to play a diatonic third harmony
solo corey E---------------------------|-----------------------|----------------- B--1310--10/12--128--8/10-|-105--53--3~~~-------|----------------- G---------------------------|-----------------------|------4~~~------- D---------------------------|-----------------------|-----------------Bar cont. A---------------------------|-----------------------|-----------------next line D---------------------------|-----------------------|----------------- PM Fast slide Fast slide E----------|-----------------------|----8------10/12--10~~------------| B----------|-----------------------|--------8-------------------------| G---0--4--5|/7h9--9~~------7/9-----|----------------------------------| D----------|-----------------------|----------------------------------| A----------|-----------------------|----------------------------------| D----------|-----------------------|----------------------------------|
E-----------15--13-----12--------|--12------------------|-------------------------| B--13-------------------------15-|-------15--12---------|--------------12-13-15---| G-------12-----------------------|-----------------12~--|---14-12-13--------------| D--------------------------------|----------------------|-------------------------| A--------------------------------|----------------------|-------------------------| D--------------------------------|----------------------|-------------------------|
E--12p8------8--12p8-12h8------8--12hp8-12p8-----8-|-10p7-----7--10p7-10p7---7---- B-------10-----------------10-----------------10---|-------8---------------8------Bar G--------------------------------------------------|------------------------------cont. D--------------------------------------------------|------------------------------ A--------------------------------------------------|------------------------------ D--------------------------------------------------|------------------------------
E--8p7-8p7----7-|-8p5----5--8p5-8p5----5--7p5-7p5---5-|-13-12-10----12-10-------10- B-----------8---|------6-------------6------------6---|----------13-------13-12---- G---------------|-------------------------------------|---------------------------- D---------------|-------------------------------------|---------------------------- A---------------|-------------------------------------|---------------------------- D---------------|-------------------------------------|----------------------------
E----------------------------| B--13-12-10-13-12-10-8-------| G----------------------------| D----------------------------| A----------------------------| D----------------------------|
ryhthm behind solo repeat behind whole solo E----------------------------|--------------------|------------------|---------------| B----------------------------|--------------------|------------------|---------------| G----------------------------|--------------------|------------------|---------------| D---------7--9-------10------|--------3----5------|------3--5-----7--|------5---9---| A------7---------------------|-----2-----------3--|----3-------------|----5--------7-7| D--7-------------------------|--2-----------------|--3---------------|--5-----5------5|
This solo is best digested in four bar-chunks. Learn each section thoroughly before you put it all together. The harmonised Randy Rhoads style section is the most technically difficult part. Each bar is the same pattern except with different notes. Practice it slowly until your hands become synchronised and are able to speed up.
Key-change chorus E------------------17--------|------------------------|-----------------------| B--15-----14-15---------15~~-|--14----14-15-14--------|--15---14-15---14-15~~-| G----------------------------|-----16-----------16-14-|-----------------------| D----------------------------|------------------------|-----------------------| A----------------------------|------------------------|-----------------------| D----------------------------|------------------------|-----------------------|
E----------------------------| B--14----14-15-14------------| G-----16----------16-14------| D----------------------------| A----------------------------| D----------------------------| Ask big-lunged R&B warblers Mariah or whitney, and they will tell you there's only one way to end a sng: by transposing the chorus. Even though it may not seem abvious at first as to what had happened, the technique is an effective way of giving the song a "lift", and for a dramatic ending. In this part, the whole chorus is moved up a whole step (two frets) from the previous three times it was played.
Outro PM PM E------------------------------------------------------------------------------------| B------------------------------------------------------------------------------------| G------------------------------------------------------------------------------------| D--------------8-----------7-------------------------3/5------------7-----------0----| A--0-----------8-----------7-----------0-------------3/5------------7-----------0----| D--0-----------8-----------7-----------0-------------3/5------------7-----------0----|
Order: Intro/Chorusx2 Verse Pre-chorus chorusx2 Verse Pre-Chorus Chorusx2 Bridge Solo Chorus Key-change chorus outro
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April 04, 2006 4:36:35 AM UTC
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Post #1
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Posts: 3
Member #: 15,921
Joined: 09/16/2009
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Sorry if this is wrong but isn't Drop D thi- 6-C 5-G 4-C 3-F 2-A 1-D if thats wrong then sorry.
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April 04, 2006 5:41:45 AM UTC
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Post #2
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Posts: 28
Member #: 15,509
Joined: 09/16/2009
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QUOTE(blanemcc)Sorry if this is wrong but isn't Drop D thi- 6-C 5-G 4-C 3-F 2-A 1-D if thats wrong then sorry. No i don't think it is sorry lol
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April 04, 2006 10:18:21 AM UTC
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Post #3
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Posts: 300
Member #: 12,144
Joined: 09/16/2009
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QUOTE(blanemcc)Sorry if this is wrong but isn't Drop D thi- 6-C 5-G 4-C 3-F 2-A 1-D if thats wrong then sorry.
why the hell did u think it was that tuning?
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April 05, 2006 4:01:21 AM UTC
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Post #4
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Posts: 28
Member #: 15,509
Joined: 09/16/2009
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QUOTE(woowoo67)QUOTE(blanemcc)Sorry if this is wrong but isn't Drop D thi- 6-C 5-G 4-C 3-F 2-A 1-D if thats wrong then sorry.
why the hell did u think it was that tuning? I think he's delusional lol sorry :twisted: :!:
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April 05, 2006 7:11:47 AM UTC
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Post #5
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Posts: 300
Member #: 12,144
Joined: 09/16/2009
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:wink: :twisted:
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April 05, 2006 8:07:44 AM UTC
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Post #6
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Posts: 28
Member #: 15,509
Joined: 09/16/2009
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anyway lol i hope u all find the tab useful if u have any questions ask away
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April 05, 2006 9:00:19 AM UTC
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Post #7
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Posts: 300
Member #: 12,144
Joined: 09/16/2009
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thanks soo much man :cry: :cry: :cry: :cry: :cry: *crys alot in happpy tears) :shock: :wink:
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April 05, 2006 12:56:35 PM UTC
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Post #8
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Posts: 282
Member #: 15,793
Joined: 09/16/2009
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Drop-D is E B G D A D
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April 05, 2006 6:30:05 PM UTC
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Post #9
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Posts: 816
Member #: 12,596
Joined: 09/16/2009
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QUOTE(blanemcc)Sorry if this is wrong but isn't Drop D thi- 6-C 5-G 4-C 3-F 2-A 1-D if thats wrong then sorry. that be D Standard, boy...
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April 05, 2006 8:28:33 PM UTC
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Post #10
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Posts: 27
Member #: 11,756
Joined: 09/16/2009
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Actually, looks more like the Hendrix version of Dropped C. Reversed strings and all
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